linotype

1928. Considered the major typeface development to come out of the constructivist orientation, Futura is timelessly modern and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity.

One of the world's most influential and widely used sans-serif typefaces, known for its clean, efficient, and neutral appearance. Originally designed in 1957 by Max Miedinger for the Haas Type Foundry under the name Haas Grotesk, it was renamed Helvetica in 1960, derived from Helvetia, the Latin name for Switzerland.

1988. After years of having an interest in sans serif typefaces, the make use of the experience and stylistic developments of the twentieth century.

A geometric, squared sans-serif typeface from Nebiolo S. A. foundry. Eurostile was designed (by Novarese and Butti in 1952) to complement the Microgramma title font, by providing a set of lowercase letters. Eurostile's linear nature evokes modern architecture, and its appeal is both technical and functional.

A group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular to this day and often used for book printing and body text. Ideal for book typesetting, formal invitations, and editorial design.

Designed for the Stephenson Blake type foundry. A very heavy, narrow, sans serif face intended for use in newspapers, for headlines and in advertisements. Aptly named, this face has a very large "x" height with short ascenders and descenders.

1970. They based it on Lubalin's logo for Avant Garde Magazine - an exciting construction of overlapping and tightly-set geometric capitals.

Its family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognized. Such distinctness makes it good for signage and display work. In recent years, made it popular for the smaller scale of body text in magazines and booklets.

Designed by the famous French type designer Roger Excoffon. In 1960 he first designed the Nord and Nord Italic. Which perfectly fits for advertising, signage and poster purposes. The Bold and Compact weights had been designed in 1963.